Run, run, run, run away!
Honestly, the title of the movie pretty much sums up the couple’s chances of making it. But in the interest of entertaining our loyal readers, we will delve into all the ways that a match between a woman who keeps leaving fiances at the altar and the hard-nosed journalist who’s trying to expose her probably isn’t The Reel Thing.
Maggie Carpenter has a lot going for her. She has a close family, work she loves, and she looks just like Julia Roberts. When it comes to commitment, though, Maggie’s got problems. She’s already left three guys at the altar–earning herself tabloid infamy and the nickname “The Runaway Bride”–and she’s currently working on number four. When a reporter shows up in town intent on doing an in-depth article on her, this is the last thing she needs.
For Ike Graham, veteran New York City reporter, it’s personal even before he meets Maggie. After penning a column filled with errors, fueled by the vitriol of one of Maggie’s jilted exes, he’s fired from his job at the paper. He comes to Maggie’s hometown to prove that he was right about her all along.
Naturally the two do not hit it off. Ike finds Maggie to be a living affront to men everywhere, and Maggie does not appreciate the invasion of her privacy. However, as the two spend more time together, they come to understand one another better, and an attraction begins to grow. On the day of Maggie’s wedding rehearsal, a somewhat contrived turn of events has Ike standing in for the intended groom. It quickly becomes clear to everyone–including the intended groom–that Maggie and Ike have fallen for each other. Ike gets punched in the face, and Maggie gets herself a new fiance, and they live happily ever after.
NOT!
Come the actual day of the wedding, Maggie once again flees to freedom–this time on a handy FedEX delivery truck.
If this were not a Hollywood romantic comedy, no doubt this is where the storyline would begin to wonder if marriage is actually right for Maggie. When you’ve left four different men at the altar, it really is the institution, not the individual. Maybe this isn’t the right time in Maggie’s life for marriage. Maybe it never will be. And what’s wrong with that? There are a lot of ways to be happy in life. Marriage is only one of them.
But this is a Hollywood romantic comedy, so Maggie moves to the big city to pursue her career and eventually to pursue Ike. She shows up at his apartment, makes friends with his cat, turns in her running shoes, and proposes. Ike, who should run as fast and as far as he can go, says yes for some unfathomable reason. The two tie the knot and ride off into the sunset on horseback. Everyone celebrates the fact that Maggie finally got married.
We suspect there will soon be yet another wedding dress to donate to the Salvation Army. We can only hope that post-divorce Maggie will listen to what her subconscious has been trying to tell her and do men everywhere a favor by remaining blissfully single.



Cher’s a high school senior that spends her free time to matchmaking, usually with disastrous results. She’s convinced that she knows what’s best for everyone around her, when in fact she doesn’t even know what’s best for herself, and manages to miss even the most obvious clues. She is unaware that her best friend Elton likes her, or that Christian, the guy she likes, is gay. When new girl Tai arrives at the school, she immediately takes her on as her new “project”. She remakes her wardrobe and then spends her time throwing Tai at every guy except the one that Tai really likes, lovable stoner Travis.
Waking up one spring morning he sees it’s too beautiful a day to waste it listening to his economics teacher drone on about the Hawley-Smoot Tariff. He decides to skip school and take both his best friend Cameron and girlfriend Sloane along for the ride, and the three spend an amazing day together enjoying the sights and attractions of Chicago. What we loved about this movie was that it didn’t take Ferris & Friends completely out of their realm or have them do anything death-defying or physically impossible. They simply enjoyed the best things available to them within their own hometown: a drive in a classic Ferrari, fine dining, great art, a baseball game, an illicit dip in a pool, and of course the gleeful satisfaction that comes from outwitting both your parents and school officials. Somehow these three miraculously manage to do it all without getting into trouble; Ferris is an artist when it comes to wriggling his way out of a tricky situation and this day is no exception.

Although Jerry is a cutthroat professional sports agent who spends his day squeezing every dime he can out of team managers and commercial endorsements, underneath it all he does genuinely care about people. If he didn’t he would not have been as moved as he was by the appeal from his injured client’s young son to stop his father from playing, and he certainly would not have been compelled to write a manifesto urging more personal management of his company’s clients. Or been fired for doing it. He realizes he wants a closer relationship with the athletes he represents, and to connect with them as people, not just products. 

Of course just because a movie’s an epic hit doesn’t mean the couple necessarily belongs together. In fact often the opposite is true. However in this case we actually do think that Maverick and Charlie have a shot at The Reel Thing.